'Buzz', 2016 Spray Paint & enamel on board, 20 x 20 x 1 in 56 x 50 x 3 cm
'Situational Melody',2016 Spray Paint & enamel on board 38.5 x 26 x 1 in 98 x 67 x 3 cm
'Buzz', 2016 Spray Paint & enamel on board, 20 x 20 x 1 in 56 x 50 x 3 cm
'Buzz', 2016 Spray Paint & enamel on board, 20 x 20 x 1 in 56 x 50 x 3 cm
'Situational Melody',2016 Spray Paint & enamel on board 38.5 x 26 x 1 in 98 x 67 x 3 cm
'Buzz', 2016 Spray Paint & enamel on board, 20 x 20 x 1 in 56 x 50 x 3 cm
'Buzz', 2016 Spray Paint & enamel on board, 20 x 20 x 1 in 56 x 50 x 3 cm
'Situational Melody',2016 Spray Paint & enamel on board 38.5 x 26 x 1 in 98 x 67 x 3 cm
'Buzz', 2016 Spray Paint & enamel on board, 20 x 20 x 1 in 56 x 50 x 3 cm
'Untitled (Pink)', 2016 Acrylic on canvas 63.5x88 in 161x223.5 cm
'Untitled (Blue)', 2016 Acrylic on canvas 63.5x88 in 161x223.5 cm
'Untitled (Pink)', 2016 Acrylic on canvas 63.5x88 in 161x223.5 cm
'Untitled (Pink)', 2016 Acrylic on canvas 63.5x88 in 161x223.5 cm
'Untitled (Blue)', 2016 Acrylic on canvas 63.5x88 in 161x223.5 cm
'Untitled (Pink)', 2016 Acrylic on canvas 63.5x88 in 161x223.5 cm


Andrew Dadson
Paint Can, 2016
Oil on canvas
209 × 157 cm | 82 × 61 in
SELECTED EXHIBITIONS
curated by Friederike Nymphius
May 14 - October 2, 2021
ARTISTS
John M Armleder, Monica Bonvicini, Martin Boyce, Valentin Carron, Andrew Dadson, N. Dash, Philippe Decrauzat, Francesco De Prezzo, Gardar Eide Einarsson, Manuel Fois, Liam Gillick, Fernanda Gomes, Francesco João, Tarik Kiswanson, Alicja Kwade, Beth Letain, Meuser, Gerold Miller, Olivier Mosset, Gerwald Rockenschaub, Monika Sosnowska, Blair Thurman, Tatiana Trouvé, Franz Erhard Walther, Heimo Zobernig
Andrew Dadson is widely known for his extensive experiments with abstraction and space. He seeks to explore the possibility of overcoming perceived challenges of physical and natural space, translating this into his work while stretching the boundaries beyond the immediate and conventional way one looks at things.
„To be titled is part of a new series of paintings where I am using a palette knife to apply paint to the canvas and build up many small "waves" of paint or "ripples". It is a fairly labour intensive technique, but it is quite meditative and I'm enjoying the way the painting reveals itself over time. There is a final dark coat over the bright underpainting, having it glow through.“
(Andrew Dadson, 2021)