Gerold Miller, Museum für Konkrete Kunst, Ingolstadt, 2021


The Monoform Show Sep 12  - Dec 21, 2019

Cassina Projects Milan 2019

Photo Credit: Roberto Marossi

gm Monoform 62.jpg

Monoform 62, 2015

two anodized aluminum angles

4.50 × 90 × 4.50 cm | 1.75 x 35.5 x 1.75 in

Gerold Miller _Monoform 23_, 2014 Two zi

Monoform 23, 2014

two zinc-plated aluminum angles

3 × 50 × 3 cm | 1.25 x 19.75 x 1.25 in

gm Verstärker 18_b.jpg

Verstäker 12, 2016

Polished Aluminum

143 x 41 x 46 cm | 56.25 x 16 x 18 in

Gerold Miller Apr 24 - Oct 02 2016
Kunsthalle Weishaupt, Ulm Germany

Verstäker 28, 2017

New Orleans Museum of Art - Sydney and Walda Besthoff Sculpture Garden -Permanent Collection

Gerold Miller Apr 24 - Oct 02 2016
Kunsthalle Weishaupt, Ulm Germany
Gerold Miller_ 'Anlage 50_51', 1995 High

Anlage 50/51, 1995

Steel, matt lacquer

280 x 220 x 12 cm | 110.2 x 86.6 x 4.7 in

gm set 511.jpg

set 511, 2018

lacquered aluminum

180 × 144 × 9 cm | 71 x 56.75 x 3.5 in

Gerold Miller Apr 24 - Oct 02 2016
Kunsthalle Weishaupt, Ulm Germany

section 7, 2017

Lacquered aluminum

99.5 x 133 x 5 in | 253 x 338 x 12.80 cm

gm set 418b.jpg

set 418 , 2017

Lacquered stainless steel

100 x 80 x 5.30 cm | 39.25 x 31.5 x 2 in

Gerold Miller (b. 1961, Altshausen, Germany), is an established contemporary minimalist and abstract artist presently based in Berlin. He studied sculpture at the State Academy of Art and Design in Stuttgart.


Venturing within the intersection of sculpture, painting, and installation, Miller tests the limits of conceivable space and representation. His notorious visionset, and section series derive from a minimalist principle of a precise and radically reduced composition of superimposed color surfaces. To produce a contrasting effect, the artist combines finely shaded gradients, matte and glossy lacquer, as well as varying monochromatic tones. The viewer and his immediate surroundings are momentarily reflected on the lacquered stainless steel, becoming an integral element of the composition itself and defying preconceived notions of artwork as an inanimate object.


Miller pushes his minimalist ideas to an even further extent. In his Monoform series, two equally proportioned aluminum angles are hung horizontally, one above the other. Similarly, Verstärker or “amplifier”, his first series of free standing sculpture, also draws from the premise of an open structure concept. Made of three projecting beams, it embodies the universal and basic notions of dimension: height length, and depth. As opposed to defined and enclosed geometrical forms, the Monoform and Verstärker series reject spatial boundaries and emphasize infiniteness.


The artist's oeuvre exploits the innumerable possibilities of interpreting and visualizing our physical present, while engaging with diverting themes such as abstractions and form, perception and reality, motion and structure. Although repetition and seriality are essential subjects of his research, each work is distinct from one another. Miller successfully creates an image exempt of preexisting references and introduces a space to be discovered and defined by its viewer.


Gerold Miller's work has exhibited internationally in various leading institutions including, Nationalgalerie, Berlin; Louisiana Museum of Modern Art, Humlebæk; Kunsthalle Winterthur; Kunstmuseum Stuttgart; Kunsthalle Weishaupt, Ulm; Tel-Aviv Museum of Art; Museo de Arte Latinoamericano, Buenos Aires; Museum Moderner Kunst, Wien; Fondation Cartier, Paris; Berlinische Galerie; Schirn Kunsthalle, Frankfurt a. M.; Opera City Gallery, Tokio; MASI Lugano, Museo d’arte della Svizzera italiana; Musée d’Art Contemporain, Bordeaux; and ZKM, Karlsruhe.

Gerold Miller - Cassina Projects -Milano


Gerold Miller
July 25 - Oct 10 2021
Museum für Konkrete Kunst, Ingolstadt

Gerold Miller

Apr 24 - Oct 02 2016
Kunsthalle Weishaupt, Ulm


The Monoform Show
September 12 - December 21, 2019
Cassina Projects
Gerold Miller
November 2 - December 23, 2017
Cassina Projects